![]() ![]() "I did these as a testament to the courage of Dalit women, to return their dignity and put these women into an ancestral place of honor." The series is called "We are still here," explains artist Thenmozhi Soundararajan. The purpose of the juxtaposition is to show the women's double exclusion from the legal system as both women and as members of society's lowest caste, the so-called untouchables.Ī piece showing portraits of three unnamed Dalit women is called "We are still here." Their images are juxtaposed against legal texts from the 19th century governing their lives as women and as the lowest caste in Indian society. The tapestry as a whole, she says, evokes the scars left on the human body, the land and the abandoned communities.Ī separate work nearby consists of three larger copper plates, in each of which a photo of an anonymous Dalit woman from 19th-century India is superimposed against a backdrop of legal texts from the era. "This is a reference to the physical bodies involved in the extraction of minerals," says Becker. Holding up the ropes on either side are mechanical, headless human figures. Artist Tiffany Chung constructed 31 wooden lightboxes displaying "found images" of war-torn homes in Syria - a work she titles "finding one's shadow in ruins and rubble."īold white rope-like lines connect black-and-white photographic discs depicting images of abandoned mine shafts and cracked, fragmented land. ![]()
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